Theme in A.A. Milne’s Winnie-the-Pooh

The first of today’s guest entries from Rebekah Fitzsimmons’s “Golden Age of Children’s Literature” course comes from Megan Pak, who digs into the meaning of Milne’s stories.

By Megan Pak

A.A. Milne’s poems and stories were greatly influenced by his wife Daphne and his son Christopher Robin.  The most obvious influence, however, came from Christopher Robin’s stuffed animal toys that he had as a child.  The toys took the form of animal characters in Milne’s Pooh stories: Tigger, Eeyore, Kanga, Piglet, and, of course Winnie-the-Pooh, also known as Edward Bear.  The picture below shows Christopher Robin’s actual toys that influenced his father.  These toys are held in a display at the Stephen A. Schwarzman Building in New York.

Toys

All of the animals in the Pooh stories are different in their own ways, not only because they are different animals biologically, but they also have different personalities.  The differences among the animals are highlighted throughout the novel by repetition.  When Eeyore loses his tail, Pooh offers to help him find it.  To this nice gesture, Eeyore expresses his gratitude and explains that he is a good friend while others are not (Milne 49).  Pooh sees Kanga and wishes that he could jump like her.  To this, he says, “Some can and some can’t.  That’s how it is” (Milne 106).  When Pooh takes Tigger to Piglet’s house, Pooh briefly warns him to not be bouncy because Piglet is a small animal who does not like bouncing (Milne 200).  Then, Pooh and Piglet take Tigger to see Eeyore, and Piglet warns him to not take much to mind of Eeyore because he is always “gloomy” (Milne 205).  Each of the animal characters is different and they are all aware of their differences.  The idea that “some can” and “some can’t” is repeated throughout the novel, thus portraying the differences among each character.

It seems that Milne repeats this motif because he wants to inform children that everyone is different.  All people should be accepted for who they are, even if they think others are different, or in Pooh’s case, a “Strange Animal.”  However, I also believe that Milne repeats this moral to prepare the young readers for the most important moral at the end of the novel:  every child will grow up.  Christopher Robin, the only non-animal character in the novel, leaves the fantasy-imaginary-like Hundred Acre Wood for school, which represents “reality.”  Christopher Robin, a human child, leaves behind the animals, which are symbolic of his toys, representing his leave of childhood.  He represents the child who grows up and moves on, unlike his animal friends who cannot change or grow up; they are static characters, as the toys are inanimate objects.  The difference between the animal toy characters and a human character is highlighted as Christopher Robin leaves, portraying the moral of growing up.

These motifs enhance the overall understanding of Milne’s message.  Young readers are taught that everyone has to grow out of their childlike ways where imagination, egotism, narcissism, friendship, and adventure exist.  Along with this rather sad moral, he also presents some positivity.  Milne gives the children hope that Christopher Robin and Pooh will be reunited and that their friendship will remain intact.  They promise each other that they will not forget one another and that they will visit each other (Milne 361).  For the adult audience, Milne reminds us that there is still a child within each one of us with the last quote of the novel: “But wherever they go, and whatever happens to them on the way, in that enchanted place on top of the Forest, a little boy and his Bear will always be playing” (Milne 362).  Milne reminds the adult audiences that no matter what happens or how old we get, we are still young at heart.

Pooh

Megan is an undergraduate at the University of Florida.

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Categories: Critical Conversations, Undergraduate Guest Posts

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